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Nothing Turned Itself Inside Out Juxtaposing work from the two extreme ends of the painterly impulse — bombastic figuration and hyperminimalist abstraction — this group show attempts to uncover the medium's fundamental common ground (if it's out... More »
We all all know how that one saying goes: If you're bored, you're boring! But hey, we're people, not grizzly bears, so there's no reason to be snoring in some sort of hibernation space over the next f... More »
The art community in St. Louis is lovely and cozy, but can be a little insular at times. White Flag Projects (4568 Manchester Boulevard; 314-531-3442 or www.whiteflagprojects.org) began seven years ago as a way to connect St. Louis to the greater... More »
B. Wurtz The material vocabulary of New York-based artist B. Wurtz's sculpture (exhibited at White Flag Projects in a retrospective going all the way back to 1970) goes something like this: wire, metal, plastic bags, tin cans, pushpins, wood. In... More »
At White Flag Projects (4568 Manchester Avenue; 314-531-3442), a solo exhibit of sculpture opens on September 8, by the New York-based artist B. Wurtz. Noted for his way of translating diaphanous consumer refuse (such as plastic bags) into... More »
Any talk about our town's tameness when it comes to art and art galleries comes to a quick conclusion with three trips down the tongue each ending in "Y": Tighty Whitey Party. Derided by some as a glorified toga party, regaled by others as our town's answer to American Apparel's heroin chic, last June's Tighty Whitey Party at White Flag Projects was a bash for the ages, and the crowning event of the young gallery's second season. Of course, an underwear party does not a gallery make. That takes vision, which, for White Flag, comes in the form of gallery director Matthew Strauss. From its inaugural show, guest-curated by Vice magazine photo editor Tim Barber, to a group show featuring the works of video artists Jill Magid and Marco Boggio Sella, White Flag consistently mounts some of the most challenging exhibitions in town. But best of all, unlike so many galleries in town, White Flag has a dress code that goes something like this: No Pants? No Shirt? No Problem.
Any talk about our town's tameness when it comes to art and art galleries comes to a quick conclusion with three trips down the tongue each ending in "Y": Tighty Whitey Party. Derided by some as a glorified toga party, regaled by others as our town's answer to American Apparel's heroin chic, last June's Tighty Whitey Party at White Flag Projects was a bash for the ages, and the crowning event of the young gallery's second season. Of course, an underwear party does not a gallery make. That... More »
Curated by Hesse McGraw, Every Man For Himself/God Against All took its name from Werner Herzog's 1974 film, which details the true story of Kaspar Hauser, a wild child who appeared seemingly out of nowhere in 19th-century Nuremberg. Like the title that inspired it, the well-attended show was an exploration of the self in relation to the other -- other people, other countries, other cultures. Featuring works by Marco Boggio Sella, Tim Hyde, Jill Magid, Lilly McElroy and Zachariah... More »
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