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The Music Center, Dorothy Chandler Pavilion

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135 N. Grand Ave. Los Angeles, CA 90012

213-972-0777 

http://www.musiccenter.org  

135 N. Grand Ave. Los Angeles CA 90012

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  • All Major Credit Cards
    Formal
  • Full bar
    Lot Available, Street, Valet
Description

Downtown L.A.'s sumptuous Dorothy Chandler Pavilion, home to the Los Angeles Opera, has aged more beautifully than most civic buildings from the 1960s. Its 3,197 seats — many of them good ones — are set in four tiers, and concert-goers reach the upper sections by gliding up enormous curving stairways that seem borrowed from a Golden Era movie. The former site of the Academy Awards, the Dorothy Chandler features a towering lobby with massive, pendant-style crystal chandeliers and upper-story picture windows that offer fine views of downtown. The interior is drenched in gold tones that some say make the dressed-up crowds look even more refined. A number of beautiful, spacious hallways and carpeted interior plazas are used as gathering spots by patrons who mill around with drinks during intermissions or after a performance — room-like spaces that double as pricey wedding venues. The Dorothy Chandler's grand entryway opens to a popular above-street-level outdoor plaza with a splashing fountain where, before the show, patrons eat take-out salads and cheese plates from the plaza's Spotlight Cafe. Others try for a table at the more formal Pinot Grill or, downstairs, Kendall's Brasserie and Bar.








  • Le Salon de Musiques

    Le Salon de Musiques

    4:00 p.m. May 19

    Soprano Elissa Johnston, violinist Roger Wilkie, violist Helen S. Callus, cellist John Walz and pianist Edith Orloff proffer Brahms' Lieder for Sop...

  • Tosca

    Tosca

    2:00 p.m. May 26 | More Dates & Times >>

    Conductor Placido Domingo and L.A. Opera find themselves at the center of Giacomo Puccini's torrid love triangle

Back to TopLA Weekly Critic News & Reviews | Write a Review
  • Five Dance Shows to See in L.A. This Week, Including an Offshoot of Cirque du Soleil

    Five Dance Shows to See in L.A. This Week, Including an Offshoot of Cirque du Soleil

    This week's dance events include the arrival of nouveau circus Traces and the 6th Annual Pasadena Dance Festival wraps up. 5. Pasadena does festivals besides the Rose Parade The week-long Pasaden... More »

  • Half-Pipe, With a Twist

    Half-Pipe, With a Twist

    In 1984, two Montreal street performers took their popular combination of performance and acrobatics onto a global stage, and so began Cirque du Soleil's conquest of the world. Two decades later, Cirque du Soleil alums launched a new generation... More »

  • Dancing Days Are Here Again

    Dancing Days Are Here Again

    Defying the world of Photoshop, those beautiful, ripped bodies on banners announcing the return of Alvin Ailey American Dance Theater are the real thing. Alvin Ailey created beautiful dances and nurtured his namesake company, considered among the... More »

  • Roll Over Rossini

    Roll Over Rossini

    "Non Piu Mesta" ("No Longer Sad") is a little aria in Rossini's comic opera La Cenerentola -- Cinderella, in inglese -- that's the bane and bounty of all coloraturas. Its difficulty is so legendary that only the brave should attempt it, and only... More »

  • Who\'s Joffrey Now?

    Who's Joffrey Now?

    The Joffrey Ballet may call Chicago home now, but it continues to have a strong L.A. following. This visit includes two mixed-bill programs with four of the current generation of choreographers. Friday offers Christopher Wheeldon's After the Rain... More »

  • Loading More Critics Reviews
  • 2009 | BEST UNLIKELY ENCOUNTER WITH A MODERNIST MASTERPIECE

    In the bar and lounge area on the Dorothy Chandler Pavilion's mezzanine level is an exceptional work of art: Hanging a few inches above a row of overstuffed chintz armchairs, next to a tapestry in high relief depicting a medieval village stage set, is a Frank Stella 1966 Irregular Polygon, the kind one usually finds only in a major modern art museum. Here, the viewer can get unusually close to the artwork; in fact, the piece hangs so near the armchairs that before performances and during... More »

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