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1515 Sul Ross Houston, TX 77006

713-525-9400 

http://www.menil.org  

1515 Sul Ross Houston TX 77006

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  • ''Forrest Bess: Seeing Things Invisible''

    ''Forrest Bess: Seeing Things Invisible''  Recommended

    Every Wed., Thu., Fri., Sat., Sun. until August 18

    Artist Forrest Bess was as troubled as he was talented. The Bay City native battled both alcoholism and schizophrenia. He lived in isolation for mu...

  • ''Byzantine Things in the World''

    ''Byzantine Things in the World''  Recommended

    11:00 a.m. - 7:00 p.m. every Wed., Thu., Fri., Sat., Sun. until August 18

    Glenn Peters, professor of early medieval and Byzantine art at the University of Texas at Austin, got to dig through The Menil Collection's storage...

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Back to Top Houston Press Awards | Visit the Best Of Website
  • 2012 | Best Solo Exhibition

    Consider yourself really lucky, Houston. The only other nationwide museums to score this treat of an exhibit, which showcased the first retrospective of the artist's drawings, were New York City's Metropolitan Museum of Art and San Francisco's Museum of Modern Art. The Menil's Michelle White and Bernice Rose co-curated the show, which featured more than 80 works by the artist normally associated with minimalist sculptures. Divided into seven groups -- including early films, installation... More »

  • 2011 | Best Historic Art Show

    Kurt Schwitters's early 20th-century collages were packed with the detritus of urban German life, and those collages were the focus of this stunning show, "Kurt Schwitters: Color and Collage." Schwitters turned things like bus tickets, cigarette packs and chocolate wrappers into evocative gems that would influence artists for generations to come -- including Texans like Robert Rauschenberg. In addition to the collages and small sculptures, the Menil brought in a painstaking replica of... More »

  • 2008 | Best Curator

    Franklin Sirmans left New York for Houston, and NY's loss is Houston's gain. With his exhibition, "NeoHooDoo: Art for a Forgotten Faith," Sirmans, Curator of Modern and Contemporary Art at The Menil Collection, has brought the de Menils' legacy of spirituality in art into the 21st century. No staid, meditative Rothko Chapel experience, "NeoHooDoo" was diverse, funky and polytheistic. It also had a lot of women in it. (The late Mrs. de Menil, for all her progressive stances in politics, art... More »

  • 2005 | Best Picnic Spot

    Picnic Drive, in Memorial Park, is where the Man wants you to picnic. The Man will tempt you with postwar picnic benches and plenty of sweltering pavement, where you can fry eggs. But if your idea of a picnic leans more toward the version involving trees, grass, peace and quiet, try the small park surrounding the Menil Collection in Montrose. There's plenty of room to throw a Frisbee and lay out a spread of fried chicken, and instead of port-o-potties, the place is dotted with sculptures by... More »

  • 2003 | Best Museum

    It's still about the building. Renzo Piano's light-washed galleries are the standard by which to measure all other museums. But the building only sets the art in the best light. It's the curators who choose what goes into the beautiful galleries. And chief curator Matthew Drutt, in his first year, has shaken out some of the dust and cobwebs that had accumulated on the de Menils' remarkable collection. Now the works in the permanent collection get changed out on a regular basis -- no more... More »

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    | Houston, TX | 132 Reviews

    Franklin Sirmans left New York for Houston, and NY's loss is Houston's gain. With his exhibition, "NeoHooDoo: Art for a Forgotten Faith," Sirmans, Curator of Modern and Contemporary Art at The Menil Collection, has brought the de Menils' legacy of spirituality in art into the 21st century. No staid, meditative Rothko Chapel experience, "NeoHooDoo" was diverse, funky and polytheistic. It also had a lot of women in it. (The late Mrs. de Menil, for all her progressive stances in politics, art and civil rights, was quite dismissive of her own sex and all but ignored work by women artists.) Sirmans is also reinvigorating the permanent collection. His "Everyday People," an exhibition of photographs drawn from The Menil Collection, was a nod to "The Family of Man" exhibition that originally inspired the de Menils to begin collecting photography. But whereas "The Family of Man" was humanistic in a simplistic, idealistic and hokey manner, Sirmans's selections of images presented a blunt, quirky, realistic and nonetheless moving view of the world.

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