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You might find yourself asking what it is you're looking at in "Everything Is Entrance," on exhibit in the SooVAC's Main Gallery space. That's kind...
You might find yourself asking what it is you're looking at in "Everything Is Entrance," on exhibit in the SooVAC's Main Gallery space. That's kind...
Say what? Verbal mashup meets visceral collage in "Visceral Dysentery: Deep Retardant Cuts Craft Dogma," an exhibition that showcases work by HAZE XXL (a.k.a. Tom Hazelmyer) and MATH.i. The former generates visual nightmares in linocut, in which... More »
As with all exhibits at Soo Visual Arts Center, a helpful map is provided for "Fluctuating Capacity," a new show featuring work by Adam Hamilton. The paper gives the titles of all the artwork on a flo... More »
The tectonic plates of the imagination collide in Joseph Rizzo's collages, as swaths of pattern and shape crest, crash, and overlap. Joseph Sinness's still-life drawings — lush, glossy, exquisitely detailed flowers, gems, and fabric rendered via... More »
The tectonic plates of the imagination collide in Joseph Rizzo's collages, as swaths of pattern and shape crest, crash, and overlap. Joseph Sinness's still-life drawings — lush, glossy, exquisitely detailed flowers, gems, and fabric rendered via... More »
This Saturday, the Soo Visual Arts Center opens its "9th Annual Juried Exhibition." The show features an eclectic mix of photography, collage, video, drawings, and installation curated by University o... More »
Jason Childs's 17 canvases of teary-eyed figures raised the bar (and the roof) at SOO Visual Arts Center last spring. Childs's oil technique evokes a soulful Gerhard Richter, while his seemingly straight-forward reproductions of photographs work to question authenticity in the digital age. The catharsis of crying doesn't last, nor do the source images suggest anything more than fleeting photojournalism, as signified by titles such as "s8420tu6.jpg." But suspended in time, Childs's paintings... More »
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