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Working at Berkeley's Pegasus Books, writer Joe Christiano has seen his share of readings. And sometimes, they weren't all he hoped for. "No matter how dynamic the prose is, the authors were not al... More »
Truffaldino Says No, now at Shotgun under the direction of M. Graham Smith, is a loving deconstruction of commedia dell'arte. But the play is at its best when it merely shows the cracks in the form'... More »
An unsatisfied housewife lusts after her stepson and disastrously indulges her obsession. The visceral tale originates in Greek mythology and has captured audiences since its first stage production in 1677. Shotgun Players indulges our inner... More »
You almost start to wonder whether the people at Shotgun haven't sold their souls to the devil. Otherwise it's difficult to explain how the company manages to achieve its elusive combination of artistic daring, cultural relevance, and showstopping kickassery -- and just keeps doing it, show after show. Shotgun opened its 2011 season with Beardo, a new musical about Rasputin, with song-and-dance numbers influenced by Patsy Cline and Prince in roughly equal measure. The result could've... More »
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