The Castro does great stuff with live stage shows and in-person tributes, but it likes to run single movies for a couple of weeks at a time. The Red Vic tends to rely on recent releases (although its cozy atmosphere is admirable and enjoyable), and the Lumiere can get caught up in the same old rep-circuit rut. But the Roxie dances to no discernible drummer; its calendar of screenings, tributes, and minifestivals is eclectic and giddily perverse. There are showings of seldom-seen oddities... More »
![\](/img/halftone.png "\")
Like
Dislike 
