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New York abstract painter and printmaker Richmond Burton took the road less traveled, creating a career path uniquely his own. With a bachelor of architecture degree firmly under his belt, he landed a draftsman's position at New York's... More »
Chuck Webster: Little Big Paintings While their scale shifts radically from the very-small to the mega-size, the paintings in this exhibit by New York-based painter Chuck Webster share a graphic vocabulary that could be described as ancient cave... More »
Chuck Webster deals in concrete representation of symbols, but not in any recognizable capacity: The subject of his large-scale paintings is the terrain of his own inner life. The observer may recognize something familiar in Webster's imagery,... More »
John Zinsser: Zero Guilt Tangled, undulating oil paint strokes, rendered in a single hue, lie thickly over a flat coat of enamel in a contrasting shade that ranges from mild to radical. Fire-engine red on sunset red, irradiated orange on khaki,... More »
For decades, the “Is it art?” crowd has rallied against abstract art as a sham, a haven for the talentless and self-obsessed. Some voices have even called for an overhaul to art criticism, proposing that abstract painting should be reclassified... More »
Art Chantry moved from Seattle to St. Louis a few years back and just kinda skulked around the weird, burned edges of the city, poking around in the crusty bits looking for crap. Crap here is not intended in the pejorative sense. In fact, "crap" is an all-purpose word in the Chantry lexicon, roughly translated as "stuff of interest." Anyhoo, Chantry quietly poked and prodded and crap-hunted. Then, late last year, he teamed with Philip Slein and M. Todd Hignite to mount a retrospective of his... More »
As director of Washingon University's Des Lee Gallery downtown since 2000, Phil Slein has done an impressive job. So expectations were high in 2003 when he opened his own downtown gallery on the third floor of the historic Ely-Walker building at 1520 Washington Avenue. In its first year, the Philip Slein Gallery hosted some of the strongest shows in town: Schmidt's Picks, a group show featuring local and regional artists; Ron Leax's Laboratories or Last Suppers; and Lisa Bulawsky's solo... More »
This inaugural show at the Philip Slein Gallery was curated by the inimitable veteran of St. Louis' art scene, Jim Schmidt, who was permitted to let his imagination run wild and bring together works by some of the best artists in the area. Schmidt made some terrific picks, including large paintings by Jerald Ieans, Brandon Anschultz and Michael Byron; sculptures by Sue Eisler; photographs by Olivia Lahs-Gonzales; prints by Tom Huck; and ceramic pieces by Dan Anderson and Jeri Au. Only... More »
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