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This theatre is located on Santa Monica Boulevard just west of the 405 Freeway. It features special programming that includes world premieres of independent film, foreign language cinema, and restored classics.
Like its gaggle of former anti-nuke environmentalists who've now switched sides, Pandora's Promise takes the form of a traditional liberal pop-doc while proffering a decidedly nonconformist message. The case for nuclear power as the solution to... More »
Like its gaggle of former anti-nuke environmentalists who've now switched sides, Pandora's Promise takes the form of a traditional liberal pop-doc while proffering a decidedly nonconformist message. The case for nuclear power as the solution to both the planet's rapidly escalating energy needs and the climate change produced by fossil fuels and natural gas is aggressively, and somewhat convincingly, made by writer-director Robert Stone. His doc bolsters his stance via a group of experts who have abandoned their prior activist assumptions about nuclear energy (and radiation) in the face of supposedly overwhelming evidence that it's actually safe and clean. Investigating Chernobyl, Three Mile Island, and the recent fallout from Fukushima while also delivering mounds of data about the boundless possibilities afforded by the technology—- as well as confronting the fears surrounding it, most of which are rooted in its WWII bomb origins-- the film deploys the usual mixture of talking heads, graphics, and archival footage to compelling effect. Alas, its argument against fear-driven orthodoxy is undercut by the fact that, as with so many of this sub-genre's entrants, there are no substantial competing voices included in the mix, so that the proceedings, no matter how logical their contentions, come off as merely one side of the debate. « Less
Kids born in 1992 can buy beer now, and according to the usual timeline of nostalgia, this means that the fetishization of all things '90s is already well under way. While John Dies at the End is assuredly a product of today's online world, it... More »
As director Ted Kotcheff told Senses of Cinema magazine, when Aussie grind house creeper Wake in Fright premiered at the Cannes Film Festival in 1971, "There was an American seated in one of the rows ... More »
Todd Solondz's strange, oddly moving new film stars Jordan Gelber as Abe, a fat, mid-30-something who lives with his parents and works for his dad (Christopher Walken). Garishly uncool, he wears horrible novelty T-shirts and drives a yellow... More »
Thursday, June 21 Cinefamily's Friday Night Frights series presents a special sneak preview of Alejandro Brugués' Juan of the Dead — so special, in fact, that it's happening on a Thursday. Brugués will be present for a Q&A about his Cuba-set... More »
Performance art pioneer Marina Abramovi? caused quite a stir in November with her controversial direction of the 2011 MOCA Gala. Her deployment of nude performers as live centerpieces at a festive d... More »
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