Nova Southeastern University

New Times Broward-Palm Beach Reviews and News

• Bob Dylan Brings Workingman's Americana to Nova Southeastern

  By Reed Fischer | Thu, September 30, 2010

  Bob Dylan's groundbreaking blend of folk, rock, and blues is like an effervescent newborn to some and a crusty uncle to others, but it's hard not to acknowledge that his songs are part of the extended family that is popular music. In his five-deca... More >

User Reviews

2 User reviews

• 

  Lindsey220

  | Fri, February 11, 2011

  Not to promote the school or anything! but this place really has some great events going on of the public every weekend. So if you're looking for a job or just want to go to a good show you should come check out some of the stuff going on at this campus.

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  bpbnewtimesbestof

  | Wed, May 06, 2009

  Near as we can tell, South Florida's got only two playwrights who live up to New Times' standards of both talent and weirdness. One is Marco Ramirez, who mostly sticks to Miami, and whose only full-length offering this year was a pulpy play about a werewolf (but look out next year, when he'll unveil a new play about a guitar riff that opens a portal to hell). The other is Juan C. Sanchez, a mild-mannered gentleman who can usually be found manning the ticket counter at New Theatre in Coral Gables. It would be hard to tell from his boyish, bespectacled face that his brain is the demon-haunted pit of nastiness suggested by Red Tide, mounted by Davie's Promethean Theatre last fall. Red Tide was a film noir-ish nightmare featuring two memory-haunted brothers and a woman with mysterious motives. One brother was a loser with serious cognition problems: at any given moment, it was hard to tell whether he was a cuddly teddy bear or a savage killer. The woman was equally hard to figure: sometimes she came off like a vindictive snake, at other times like a soft-hearted lover. The second brother was forced to play straight man, but he was an egocentric, misogynistic mess. The stories behind these listless souls were unveiled in flashbacks that seemed more like time-travel. The whole show was bottomlessly mysterious, thanks to a script from Sanchez that embraced play, imagination, novelty, and any perversity that happened to drift its way.

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