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The Nitehawk Cinema brought first run, independent films into the heart of Williamsburg. Plus? This triplex cinema features large seats with arm-rest tables for in-seat food and (alcoholic) drink service. A sleek facade fronts the cozy film-pub, which marries the community feeling of a neighborhood bar into the family of reverent moviegoers. Brooklyn gourmand Saul Bolton crafted the theater-snack themed menu, which is available in a full-service cafe/bar downstairs and at the upstairs concession/stand lobby. Additionally, the Nitehawk hosts a robust program of "signature series" and special events like brunch screenings, films with live music, classics and retrospectives, film clubs, late shows, as well as food/drink specials that relate to the current attractions. Keep up with the schedule on the Nitehawk's active website, Twitter, and Facebook. The theater also runs a hand-selected pre-show program 30 minutes prior to the ticketed showtime.
John Waters’s 1995 camp-soaked satire Serial Mom (1994) asks the question: How far will a mother go to protect her children? And Beverly Sutphin’s answer is: however far she needs to. Whether it’s avenging the love interest of her forlorn... More »
“The mythical lie of Cannibal Ferox was an alibi created to justify the greed and cruelty of the conquistadores,” preaches the young anthropologist as she and her colleagues sail through the Amazon. Oh how quickly she is proven wrong. Within the... More »
Stanley Kubrick's The Shining is a film that inspires strong reactions, and people have been trying to pin down what it's really about almost since the day it was released. With Room 237, first-time feature director Rodney Ascher has gone deeper... More »
Perhaps the first great indie apocalypse potluck comedy, Todd Berger's It's a Disaster aces many of the fundamentals bobbled by too many of the films with which it shares DNA. Like dopey ol' Cloverfield, this opens with get-to-know-the-cast... More »
Cram any more whimsy into this movie and it would gradually morph into a season of Cirque du Soleil. We often think that Amélie, Jean-Pierre Jeunet’s vibrant 2001 French rom-com, is maybe so well-received on this side of the Atlantic because it... More »
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