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"The meek shall inherit the Earth," somebody said once-- probably Truffaut, writing in Cahiers du Cinema. Two pictures into his thrilling career, writer/director Antonio Campos seems determined to show us that might not be anything to celebrate.... More »
"The meek shall inherit the Earth," somebody said once-- probably Truffaut, writing in Cahiers du Cinema. Two pictures into his thrilling career, writer/director Antonio Campos seems determined to show us that might not be anything to celebrate. The worst that can be said of Campos's Simon Killer is that it does more or less the same thing his Aftershool, only in Paris. (It's like Rush Hour 3 in that way.) It's one part Blow Up to three parts Rushmore-as-psychological horror flick. Blond, scruffy Brady Corbet is the Angry Young Man this time around, and Campos tips his hand with that title. Simon Ladykiller would've left him more room to maneuver, non? Simon is uncannily good at making women trust him-- almost as good as Corbet, with his haunted, vacant eyes, is at making us distrust Simon, even when he isn't doing anything remotely suspicious. He meets his quarry in a brothel; if you believe that either Simon or Victoria, his chosen escort, are going to respect the limited, transactional boundaries of the hooker-john relationship, then you have never seen a movie before. After their first, abbreviated encounter, Simon returns and forces Victoria to see him as a person via the oldest trick in le livre: getting her to dress his wounds following a street scuffle that may not actually have occurred. Soon he's crashing at her place; naturally he requires no time at all to come up with a risky plan that'll allow her to stop turning tricks. « Less
Digital Presentation;English Subtitles;Stadium Seating 7:00 PM
Digital Presentation;English Subtitles;Stadium Seating 8:50 PM
Taken together, Ulrich Seidl's three Paradise films, each being released separately in the coming months, will be hard to beat this year for sheer arthouse scald. Rivaling fellow Austrian miserabalist Michael Haneke in pessimistic cred if not in... More »
It's summertime, which means Miami's 100% humidity, unoccupied children, and epic blockbusters will have us hightailing it to the movies on the regular. We can't miss the likes of the Rock, Bradley Co... More »
"The meek shall inherit the Earth," somebody said once — probably Truffaut. Two pictures into his thrilling career, writer-director Antonio Campos seems determined to show us that might not be anything to celebrate. Campos's feature debut, 2008's... More »
If there's one character Brady Corbet runs the risk of being typecast as, it's the creep. Corbet pushed the edge of creepdom in Michael Haneke's Hollywood remake of Funny Games, where he played one of... More »
Over the course of its first 60 minutes, Ken Loach's The Angels' Share proves a testament to its director's enduring reputation as a master of British cinema and the social realist form, articulating the frustrations of Glasgow's working class... More »
,,,I am glad to find here in Miami Terence Malicks's film "To The Wonder'', which I have seen in Paris.
Not surprised that such a beautiful experimental new work that brought out certain controversial reactions opposite to deep admiration would be shown at the initiative of the Miami Beach Cinematheque the best art house in town for its usual astonishing independant selection!
Cinephiles, rejoice! Though it sucks we'll have to wait another year to see kick-ass local films at the Borscht Film Festival, with the recent rise of art houses in SoFla, we'll be able watch indie flicks from all over the globe on the reg. Right here in Miami, ogling at handsome leading men such as Cary Grant, fashion weathervanes like Bill Cunningham, new cool crap from Cannes and Toronto, and crazy foreign zombies on the big screen is becoming the norm. This new wave of art-house openings... More »
It's hard not to kiss kiss bang bang an art-house movie theater that avoids 3-D blockbusters, sticky seats, and stale popcorn in favor of Citizen Kane, a comfy chaise lounge, and its own line of baked goods. This is especially true when one of the goodies is the Miami Beach Cinematheque's triple chocolate brownie. Thick and made with all-natural ingredients, these moist, heavenly creatures cost just four bucks. And chock full of cocoa (before Chanel) and milk and white chocolate chips,... More »
Weaving a quirky collage of video, photography, installations, performance art, curated film series, and cinema-inspired live theater, this cozy film house continues drawing the culturati and curious like a magnet. Just last year, as part of its "Great Directors" series, the cinematheque delivered gems by Jean-Luc Godard, Wong Kar-Wai, Rainer Werner Fassbinder, Gus Van Sant, and David Lynch in addition to unspooling the work of local indie auteurs in the eye-opening "Featured Independent"... More »
Since the lights first flickered on less than a year ago, the Cinematheque has established itself as the screen to be seen. In the heart of South Beach, the movie house's art-gallery setting provides a perfect scene for cineastes eager to enjoy true classics (Hiroshima, Mon Amour), rare oddities (Todd Haynes's Superstar: The Karen Carpenter Story), or specific programs tied to local festivals such as Art Basel and the Winter Music Conference. The Cinematheque also provides an outlet for... More »
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