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The clock is ticking. The countdown to Miami Art Museum’s transformation into PAMM has officially begun. This time next year, when you visit the cu...
You won’t have to wait until this fall to discover why the Miami Art Museum (MAM) is being rechristened with a mega-benefactor’s name. “Frames of R...
Families explore exhibitions and create their own works of art, 1-4 p.m. Fun for the whole family.
When 18-year-old Mike Diana returned home from Christmas shopping with his mom in 1990, two cops were waiting for him on the lawn of their home in Largo, near Tampa. One officer pulled from his briefcase the teenager's underground comic book... More »
You might have heard of Robert Mapplethorpe, the artist whose exhibit “The Perfect Moment” was the focus of the film Dirty Pictures and which led to Cincinnati’s Contemporary Arts Center standing trial for obscenity after hosting the exhibition.... More »
When 18-year-old Mike Diana returned home from Christmas shopping with his mom in 1990, two cops were waiting for him on the lawn of their home in Largo, near Tampa. One officer pulled from his briefc... More »
In the last exhibit at its Flagler Street locale before moving to a new 29-acre home on Biscayne Bay, the Miami Art Museum transports viewers back to a Coral Gables' art walk circa 1998. That's not a nostalgia-tinged compliment. And considering... More »
Is it okay to admit to not being a fan of Ultra Music Festival and still be considered a true Miamian? Sure it is. Not everyone in Miami is a beat freak by nature.Big, banging EDM, lasers, mesh tops, ... More »
From evoking the slow-drip symphony of a summer shower with an array of suspended buckets to creating paintings using a torrential downpour in her native Brazil, Rivane Neuenschwander's first museum survey enchanted Miami Art Museum visitors through its beguiling and interactive nature. "A Day Like Any Other" featured 11 major works created over the past decade. In them, Neuenschwander, a storyteller with an eye for the cinematic, explored themes of time's fleeting nature and concepts of... More »
Miami Beach, 2071. Two tourists, Gina and Tina, are standing outside the laser rope at the entrance to Plato, the newest "it" club on Collins. The bouncer looks them up and down. "IDs, please," he says. The girls beam them over. The bouncer hands them back two molecular pens and presses a button that illuminates a hologram in front of them. "You have 30 seconds to successfully complete this quiz," he says. The questions range from "What's the 123rd element in the periodic table?" to "Briefly... More »
From its informative Morning Lecture Series on the monumental figures of 20th-century architecture, to the breathtaking Herzog and de Meuron design for Museum Park, Miami Art Museum (MAM) finds itself swept up in a whirlwind of buzz. MAM also mounted one of its most memorable exhibition seasons in years. "Tamayo: A Modern Icon Reinterpreted" marked the Mexican master's first major U.S. exhibition in 30 years. It featured nearly 100 of Rufino Tamayo's paintings, many not shown publicly for... More »
Art experts know that the museum, as a socio-cultural institution, was pronounced dead by a group of neo-Dada performance artists during a 1987 visit to the Museum of the Medieval Torture Arts in Toledo, Spain. The word has yet to reach most other cosmopolitan cities, but as curators of MAM can proudly attest, the Magic City is ahead of its time. "Miami remains the only major city in the United States without a world-class art museum," declared the eloquent essay that accompanied MAM's... More »
From its informative Morning Lecture Series on the monumental figures of 20th-century architecture, to the breathtaking Herzog and de Meuron design for Museum Park, Miami Art Museum (MAM) finds itself swept up in a whirlwind of buzz. MAM also mounted one of its most memorable exhibition seasons in years. "Tamayo: A Modern Icon Reinterpreted" marked the Mexican master's first major U.S. exhibition in 30 years. It featured nearly 100 of Rufino Tamayo's paintings, many not shown publicly for decades, offering an in-depth examination of a prolific career spanning 70 years. "The Killing Machine and Other Stories 1995-2007," by Canadian artists Janet Cardiff and George Bures Miller, marked the first entry in the ambitious MAC @ MAM sweeps. The sprawling exhibit featured 11 multimedia installations mixing opera, art films, and literature with B movies, rock and roll, and radio broadcasts. MAM's current exhibit, "Wifredo Lam in North America," herds more than 80 of the Chinese/Afro-Cuban master's works, more than a quarter-century after the artist's death, finally giving the controversial Lam his due in the Big Mango. Throw in the museum's thoughtful educational and family programming and it adds up to an enticing recipe for stampedes all year.
They have a great Young Professionals group called the Contemporaries that hold excellent networking events!
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