Landmark Tivoli Theatre

Has anyone ever been so perfectly cast as Matthew McConaughey in Dazed and Confused? Sculpted entirely of charisma and cheekbones yet still seedier than a stash of gym-locker pot, McConaughey's radiant stoner exemplified high school promise gone... More »

Has anyone ever been so perfectly cast as Matthew McConaughey in Dazed and Confused? Sculpted entirely of charisma and cheekbones yet still seedier than a stash of gym-locker pot, McConaughey's radiant stoner exemplified high school promise gone bad. he looked like the little man of top of trophies, just horny, stupid, sapped of ambition, and only likely to use his physical gifts for the least public-spirited of ends. Mud, written and directed by Jeff Nichols, is the latest in McConaughey's campaign for re-consideration as a great American actor. He plays full burnout, a starving fugitive hiding out on a small island in the Mississippi. When discovered by a pair of likable local kids, Ellis (Tye Sheridan) and Neckbone (Jacob Lofland), McConaughey lays out the back story you might wish was more original. There’s a woman he's waiting for, a crime of chivalrous passion, the usual thugs out to get him. Will the kids keep his secret-- and even help him get where he's going? The mode here is boys' adventure, the Twain and the Great Expectations mixed up with rural naturalism. The boys talk about "titties" and wear camo pants; early on we see them pilot a small boat down the tributary they live on and into the great Mississippi itself, a rousing sequence that suggests the danger and wildness of the adulthood they're surging toward. At moments like this, Mud is honest and involving, touched with life as it's actually lived. Too bad that it settles into melodrama. The climax feels copy-pasted from episodes of Justified, the action comically out of proportion to the small story preceding it. « Less

(4:15 PM), 9:30 PM

(4:30 PM), 7:30 PM

Until his arrest in 1986, most people believed Richard Kuklinski to be an all-American family man. In reality this suburban New Jersey "banker" made his fortune working as hit man for the Mafia, killing over 100 people and often freezing and... More »

Until his arrest in 1986, most people believed Richard Kuklinski to be an all-American family man. In reality this suburban New Jersey "banker" made his fortune working as hit man for the Mafia, killing over 100 people and often freezing and dismembering their bodies to obscure the time of death. Depicted in the tone of a film noir and tinged with the tensions of a horror movie, Ariel Vromen's The Iceman follows this sociopath over the course of his career. Michael Shannon portrays Kuklinski in his dual lives, the highs of success spliced with acts of brutal murder, from the courtship with his wife, Barbara (played by a doe-eyed and anxious Winona Ryder), to his induction into a mob run by Ray Liotta, and a temporary partnership with a bohemian hit man who drives a Mr. Freezy truck (Chris Evans, untamed). Shannon gives an unnerving performance as a man caged in a cruel apathy, maintaining a controlled façade that seems to twitch with barely sublimated distress. Vromen hints at the motivations behind the psyche of a killer-- an abusive father and a Catholic yet godless upbringing (see James Franco cameo)-- and allows fragments of sympathy to slip in for Kuklinski and the fate set out for him from the film's clanking start: a life behind bars. The slasher gore is lightened with moments of humor, like David Schwimmer's handlebar mustache and dopey portrayal as Liotta's right-hand man, which elicits unintentional laughter. Ultimately The Iceman is a blend of Mafia-film cliché and the jarring reality of lives undone by crime. « Less

(4:45 PM), 7:15 PM, 9:30 PM