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Jerry Patch, the longtime dramaturge at South Coast Repertory (he split SCR about seven years ago), once remarked that every great play, along with lots of shitty ones, is about home. Whether it's about finding it, losing it, missing it, living... More »
Emotions. They’re so overrated. Spock didn’t have any and he seemed to do just fine, so why is it that we all put such an emphasis on our feelings in this intellectual age? In Noah Haidle’s theatrical comedy Rag and Bone, not only are emotions... More »
It's not uncommon to see the name Shakespeare pop up on the schedules of many a theater during the summer. The epic scope and huge casts involved in his plays make them ideal for outdoor performances, where a troupe isn't limited by such... More »
There's something distinctly American about the road trip. Be it on a river (Huckleberry Finn), in a car (On the Road) or on foot (Into the Wild), the promise of the open road, of losing yourself in the desire to find yourself, is engrained in... More »
The Hunger Artists' production of Samuel Beckett's starkly brilliant mid-20th-Century masterpiece, directed by Glendele Way-Agle, was a very pleasant surprise: entertaining, insightful and a masterful blend of lowbrow comedy and highbrow erudition. And, like any Waiting for Godot, it had to rise--or fall--on the strength of the two actors portraying the vagabonds at its center. And while Ponzer Berkman efficiently captured the more manic, physically oriented Estragon, it was Greg... More »
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