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The steely nature of Evans' sound doesn't take long to woo listenersits overarching authority is hard to resist. That sound walks on the giddy side in Mostly Other People Do The Killing, but in his own work, a refreshing seriousness arises. The... More »
John Hollenbeck’s fivesome stands out because by design: Its accordion, vibes, and reeds combo is, too say the least, unique. Every time I’ve caught them they’ve used their rather intricate tunes to splash energy all over the audience, and since... More »
The guitarist continues to tantalize with electric excursions that investigate his Pakistani roots and cosmopolitan personality. On last fall’s Continuous Beat this means a wealth of grooves, a nod to the extrapolation of ragas, and enough... More »
Along with the glorious virtuoso jazz vocalist Fay Victor, Swiss miss Brooklynite Emilie Weibel is one of the shining lights leading Brooklyn's contingent of heavenly voices. While Victor is a bluesy queen of jaw-dropping improvisation, Weibel is... More »
Camaraderie and cleverness entwine to make the Brooklyn foursome’s reeds-fronted wiggle-waggle something quite vivid. Whether it’s percussionist Jim Black’s propulsive clatter or straw boss tenor player Chris Speed’s graceful lurching at the... More »
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