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The mission of the creative staff at Boulder's Dinner Theatre is to offer "Broadway-quality" theatrical entertainment at non-Broadway prices. Ordinarily, a statement like that might promote snickers from anyone who takes their theater seriously, but the cast and programming can hold a candle to more expensive productions any day of the week. The theater showcases four quality shows each year, and just as much attention is paid to the food. This isn't a dinner theater where you get two choices -- chicken or steak -- but an eatery offering a menu with appetizers, light entrees, heavier entrees and desserts catering to a wide range of palates, from the aforementioned chicken-and-steak lovers to vegans, and many of the ingredients are locally sourced. For a high-quality night on the town without the high-quality price tag, Boulder's Dinner Theatre is where it's at.
Feb. 22-May 12: Church Basement Ladies. May 18-Aug. 31. All shows Wed.-Sun.
Tracy Warren is a warmly appealing actress with a fine singing voice. And during Boulder Dinner Theatre's 42nd Street, we learned she also has a deft touch as a choreographer who can handle dozens of swiftly tapping feet as well as soulful solos and silly-funny two-performer numbers. More »
Katie Ulrich was all verve and warmth as leading lady Janet Van De Graaff in Boulder's Dinner Theatre's production of The Drowsy Chaperone, a daffy, sweet-cynical tribute to '20s musicals. Van De Graaff was forced to choose between an acting career and love, and explained her choice in a sizzling number called "I Don't Wanna Show Off No More" -- demonstrating her lack of interest in stardom by strutting, sashaying, blowing kisses, turning a somersault and throwing a few perfect... More »
Barb Reeves is a veteran Boulder's Dinner Theatre performer with a number of strong characterizations to her credit. But in this BDT production of Slow Dance With a Hot Pickup, a gentle-hearted musical about a group of people competing to win a truck, she put something into her portrait of a harried waitress that we've never seen from her before. Her Marie was strong-minded but completely unsentimental. Reeves displayed a singing voice that could rock the house, but also a low-key sincerity... More »
Okay, we admit it: We fell in love with Maggie Sczekan's Christine in the Boulder's Dinner Theatre production of Phantom. When she was on stage, we were mesmerized. When she wasn't, we waited impatiently for her to return. So many musical-comedy ingenues are annoying: pretty, simpering puppets whose sweet, shy gestures could never come from a real, breathing woman, but Sczekan is a real actress. If her gestures were charming and pretty, they were also sincere; her voice was rich and... More »
Brian Norber has been such a mainstay of Boulder's Dinner Theatre for so many years that he could well say with Gus, the Theatre Cat (a role he took on this year): "I have played in my time, every possible part/And I used to know seventy speeches by heart/And I knew how to act with my back and my tail/With an hour of rehearsal, I never could fail." His work keeps getting richer and deeper, however. As the Phantom's father, Gerard Carriere, he was quietly dignified through most of the... More »
Phantom is different from that Andrew Lloyd Webber behemoth, Phantom of the Opera. It's smaller in scope, stronger on plot and character, and has a more supple score -- though the surging emotions and Gothic plot points are all still there. For this production, Boulder's Dinner Theatre fielded two leads with terrific voices, as well as a stage full of impressively skilled performers in smaller roles. By now the company has its tech down pat, which meant a cunningly contrived set and... More »
Alicia Dunfee graces the stage of Boulder's Dinner Theatre often, most recently imbuing the title role in Hello, Dolly! with charm, wit and style, and bringing a signature mix of showmanship and wistfulness to all of her performances. But Dunfee, who's been a steady presence at BTD for fifteen years, does more than act, dance and sing. She directs, and she's also largely responsible for one of the most important elements of a musical: choreography. If you notice the way the big numbers show... More »
With her calm grace and pure, beautifully modulated singing voice, Tracy Warren was a standout as hat-maker Irene Malloy in the Boulder's Dinner Theatre production of Hello, Dolly! More »
Thanks to her friendship with director Michael Duran, the voice of Carol Channing herself welcomed audiences to this warm, lively production of Hello, Dolly! at Boulder's Dinner Theater, where it was graced by a stellar performance from Alicia Dunfee in the title role, a charming one from Wayne Kennedy as Horace Vandergelder, the man she's determined to snare, and a stage full of lively performers. More »
Dinner theaters aren't called on to worship at the altar of art, but rather to satisfy down-home audiences looking for anxiety-free entertainment: families, young couples, church groups, business groups, people celebrating birthdays and anniversaries. But Boulder's Dinner Theatre nimbly accomplishes the two-step between commercialism and creativity, mounting summer productions filled with adorable kids; old chestnuts that reliably fill the house; smaller, quirkier shows; and the occasional... More »
Scott Beyette's lisping, daft and desperate William Barfee was the highlight of the 25th Annual Putnam County Spelling Bee, a sweet, silly musical about competitive kids. In this Boulder's Dinner Theatre production, Beyette (who's also been doing some excellent directing at BDT) pulled off the neat trick of being hyper-funny and completely over the top while still communicating all the teenaged angst and vulnerability of Barfee. That's Barfay, he kept exclaiming desperately. More »
So you're producing a blockbuster musical on a limited budget, a show known for productions that feature sparkly costumes, amazing technical effects and big, big musical numbers. What do you do to make audiences forget the Broadway show and those costly touring versions? Here's Michael J. Duran's answer: He assembled a cast of talented actors and ingenious tech people, and he let everyone cut loose as only the BDT gang can. He put tall Brian Norber into staggeringly high heels and a... More »
With Ragtime, it felt as if Boulder's Dinner Theatre had opened the doors and let in a great whoosh of invigorating air. This is one hell of a musical to stage, one based on an important book that marries a meaningful plot with a smart, perceptive script and terrific songs. To create a cast, artistic director Michael J. Duran teamed up with Jeffrey Nickelson of Denver's Shadow Theatre Company, and Nickelson himself played the enigmatic angel-devil Coalhouse Walker. The energy and discovery... More »
42nd Street is a big, glitzy show filled with great songs and requiring dozens of tapping feet. So I settled in for the Boulder's Dinner Theatre production with some trepidation. The playing area here isn't huge, nor is the pool of singers and... More »
Summer shows at Boulder's Dinner Theatre are family-friendly events, intended to hold the wandering (and wondering) attention of children, and this year's Cinderella is no exception. Created by Rodgers and Hammerstein for television in the 1950s,... More »
The role of the Man in the Chair is the spine for The Drowsy Chaperone, and it's the primary reason that this lighthearted, inconsequential and very silly show is so much fun to watch: Without him, it would just float off into the ether. But with... More »
There will be a memorial for longtime Denver critic Holly Bartges at 7 p.m. on Tuesday, March 6 at Boulder's Dinner Theatre, 5501 Arapahoe Street in Boulder. "We will sing, hoist a glass and talk of a... More »
Playwright Arthur Kopit and composer Maury Yeston were still putting together their Phantom when Phantom of the Opera, the Andrew Lloyd Webber juggernaut, trundled onto the scene with its thunderous music, grandiose special effects and falling... More »
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