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African American Art and Culture Complex

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762 Fulton San Francisco, CA 94102

415-922-2049

http://www.aaacc.org

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762 Fulton San Francisco CA 94102

The Black Woman Is God

Every Tue., Wed., Thu., Fri., Sat. until May 30

Group show questioning the validity of the concept that the Supreme Being is both white and male. Curated by Karen Seneferu and Melorra Green.
Les Bantus Congolese Dance and Drum Classes

1:00 p.m. every Sat.

Ongoing classes. Dance begins at 1, and drumming at 3. Call for more information.
Yoga

6:00 p.m. every Tue.

Iyengar style with instructor Ms. Pearl Howell.
West African Dance

6:30 p.m. every Tue.

With instructor Sia Amma. Call for more information.

Queer Rebels of the Harlem Renaissance: The Dream Will Not Be Deferred

By Anisse Gross | Fri, June 29, 2012

Maybe when you think of the '20s all you see are long cigarettes, fringe, and flappers, but it was a time fraught with rampant racism and severe economic depression. Despite (and perhaps because of) ... More »
Crowning Glory

By Emily Wilson | Wed, December 07, 2011

Cinderella is a “gateway drug,” says Sherri Young, executive director of the African American Shakespeare Company. Here’s her idea: Get kids (and adults) hooked with the masquerade ball and some evil (and comical) stepsisters, and they’ll be... More »
Pictures from Black Futurist Reading and Open Mic Night: The Future Is Now

By Hiya Swanhuyser | Wed, July 27, 2011

We told you about the Black Futurist Reading and Open Mic thrown by writers D. Scot Miller and Shawn Taylor, but we had no idea how rad it was actually going to be. For one thing, the Sargent Johnson ... More »
$Black Futurist Author D. Scot Miller: \$

Black Futurist Author D. Scot Miller: "We Are the Scribes of the Jubilee Apocalypse."

By Hiya Swanhuyser | Wed, July 20, 2011

Wait -- there might be people who aren't white in the fictional dystopian future/dragon-type fantasy world? Who don't get killed in the first five minutes? And who aren't self-for-white-person-sacrifi... More »
"Twelfth Night": Theater Review

By Anna Pulley | Wed, April 20, 2011

It's a curious choice to paint one of Shakespeare's bawdiest comedies with the moody grandeur of a 1940s film noir, but one that proves eminently likable. Marcus Shelby's original jazz score brings a torchy, swiveling air to the 1940s San... More »

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